Many of us are reclaiming the lost art of cooking at home. Ronda Carman, a seasoned cook who is on the Salonniere 100 list of America s best party hosts, demonstrates how a well-stocked pantry allows you to easily create beautifully seasoned dishes. Join Ronda Carman as she cooks from her pantry and readily available items in the refrigerator. A bountiful cupboard provides everything you need to prepare the batter for coconut pancakes, a bowl of chickpea soup with pesto, or a batch of pignoli cookies. Organized alphabetically by ingredient, from almonds to za atar, these pantry essentials are the foundation for creating meals that reflect today s palette. Each section covers a single staple that can be used for numerous recipes. From dried fruits and grains for an instant breakfast to beans and pastas for a main course and polenta for a tasty lemon cake, every meal throughout the day is covered. With over 100 easy-to-follow recipes and stunning photography showing creative ways to present dishes, this prac-tical cookbook features original takes on Caramelized Onion Anchovy Butter, Lemon Orzo with Tuna and Artichoke Hearts, and Pasta with Sardines, Breadcrumbs, and Capers. Each seasonal dish is infused with nuanced flavors. The Art of Pantry Cooking is a must-have for those passionate about cooking.

There has been a profound shift in the direction of archaeological activity in the last fifteen years, a change reflected in this volume. While excavation remains a professional priority, the interpretation of archaeological evidence is now attracting increasing critical study. In part this is stemmed from the public demand for explanation of archaeological evidence, which moves beyond the more restricted academic debate among archaeologists. But it also follows from a desire among archaeologists to come to terms with their own subjective approaches to the material they study, and a recognition of how past researchers have also imposed their own value systems on the evidence which they presented.
This volume provides a forum for debate between varied approaches to the past from leading archaeologists in Europe, North America, Asia and Australasia. It addresses the philosophical issues involved in interpretation, and the origins of meaning in the evolution and emergence of 'mind' in early hominids. It covers the ways in which material culture is understood and presented in museums, and how the nature of history is itself in flux.

Over the past several years, the field of international investing has been transformed by a host of new, state-of-the-art techniques. "Quantitative Investing for the Global Markets" is the definitive handbook for money and portfolio managers, research analysts, pension consultants, corporate treasurers, and other professionals seeking a competitive edge in the global investment marketplace. Topics include: international asset allocation; optimum diversification levels; style analysis and evaluation; market neutral strategies; global stock valuation; advanced strategies for hedging currency risk; international benchmarking; etc.

Conducting research and technology design for domestic life is by no means easy. Methods commonly used in the field of Human-Computer Interaction in settings like the workplace may not easily translate to the richness and complexity of domestic life. This book documents new ways in which researchers are studying domestic life, as well as designing and evaluating technology in the home. Each chapter is a candid discussion about methods that were successfully used for research studies with a focus on the challenges that the researchers faced and the best practices they learned.

This book provides the Greek text and an English translation of Aristarchus of Samos’ On the Sizes and Distances of the Sun and Moon, with full introduction, detailed commentary, and relevant scholia.

INCOMING! Amy and Dan have been found UNHARMED! But perhaps not for long - the ruthless Irina Spasky is right on their tail.
And WHAT are those crazy kids doing poking their noses into Lucian secrets?!?
Are they TRYING to get themselves killed?

The Radical Ecology of the Shelleys: Eros and Environment is the first full-length study to explore a radically queer ecology at work in writings by Percy Bysshe Shelley and Mary Wollstonecraft Shelley as their discussions of nature and the natural consistently link ecology and erotic practice. Initiated by Timothy Morton in 2010 as a hybrid of two schools of thinking about nature, queer ecology combines the alertness of environmentalists to constructions of the "natural" with efforts of sexuality scholars to denaturalize identity and to expose sexuality as a culture-bound construct. Conceptions of place are central to this investigation not only because an attachment to place is traditionally thought to be the ontological basis of all environmental consciousness (e.g. think-globally-act-locally) but because these two Romantic writers underscore the dynamic interaction between a person's natural surroundings and his/her interpersonal attachments. The poetical and prose writings of the Shelleys claim our special attention because of their unusual conception of the oikos, the etymological root of "ecology," to mean both local grounds and the social, often domestic, places in which people dwell and desire. The overarching thesis of this book asserts that proto-ecological theories in Romantic-era England cannot be understood separately from discourses related to married/family life, and the texts considered demonstrate the comingling of earthly and erotic enjoyment. The issues raised by Eros and Environment are fundamental not only to literary and queer history but to all humanistic studies. They render the study of nature from a queer perspective a matter of intense interest to scholars in numerous disciplines ranging from ecocriticism and the natural sciences, including climate studies, to feminist criticism and sexuality studies.

Packed with more than 500 techniques, this book delivers what you need to know-on the spot. It is suited to editors of all experience levels, whether you are: Migrating from another NLE Upgrading to Final Cut Studio 2 Seeking a handy reference to raise your proficiencyNo need to wade through tomes of documentation. Final Cut Studio On the Spot presents immediate solutions in an accessible format. Step-by-step instruction by Apple Certified Pros shows you how to: Optimize system performance Create impressive titles with Generators, Motion, LiveType, and Photoshop Build Commercial-quality transitions Work quickly with buttons and keyboard shortcuts Color correct to save vital shots, and keep them broadcast legal Fix and mix for professional-quality audio Use the compositing tools of master editors Design and import graphics seamlessly Integrate with other applications including Motion, Soundtrack Pro and Color Troubleshoot and recover files Manage media and backup strategies Export and publish finished projects to tape, DVD, or the Web

Originally published in 1985. China is currently making a massive effort to educate its workforce in a formal and structured system. A good deal has been written about China's attempts, since 1949, to eradicate illiteracy and to universalise primary and secondary school education but the subject of this book is an educational system established to meet the needs of those already employed whether in government, industry or agriculture. Two study teams, sponsored by the lnternational Council for Adult Education, visited China in 1981 to explore this educational phenomenon. Their findings, updated by subsequent ICAE visits and enriched by further reading, form the basis of this book. This is the story of the Chinese experience of developing adult education. It will be valuable to those involved in extending education in the industrialised world who are pursuing modernisation goals for people long excluded from the formal education system.

The Radical Ecology of the Shelleys: Eros and Environment is the first full-length study to explore a radically queer ecology at work in writings by Percy Bysshe Shelley and Mary Wollstonecraft Shelley as their discussions of nature and the natural consistently link ecology and erotic practice. Initiated by Timothy Morton in 2010 as a hybrid of two schools of thinking about nature, queer ecology combines the alertness of environmentalists to constructions of the "natural" with efforts of sexuality scholars to denaturalize identity and to expose sexuality as a culture-bound construct. Conceptions of place are central to this investigation not only because an attachment to place is traditionally thought to be the ontological basis of all environmental consciousness (e.g. think-globally-act-locally) but because these two Romantic writers underscore the dynamic interaction between a person's natural surroundings and his/her interpersonal attachments. The poetical and prose writings of the Shelleys claim our special attention because of their unusual conception of the oikos, the etymological root of "ecology," to mean both local grounds and the social, often domestic, places in which people dwell and desire. The overarching thesis of this book asserts that proto-ecological theories in Romantic-era England cannot be understood separately from discourses related to married/family life, and the texts considered demonstrate the comingling of earthly and erotic enjoyment. The issues raised by Eros and Environment are fundamental not only to literary and queer history but to all humanistic studies. They render the study of nature from a queer perspective a matter of intense interest to scholars in numerous disciplines ranging from ecocriticism and the natural sciences, including climate studies, to feminist criticism and sexuality studies.

Originally published in 1985. China is currently making a massive effort to educate its workforce in a formal and structured system. A good deal has been written about China's attempts, since 1949, to eradicate illiteracy and to universalise primary and secondary school education but the subject of this book is an educational system established to meet the needs of those already employed whether in government, industry or agriculture. Two study teams, sponsored by the lnternational Council for Adult Education, visited China in 1981 to explore this educational phenomenon. Their findings, updated by subsequent ICAE visits and enriched by further reading, form the basis of this book. This is the story of the Chinese experience of developing adult education. It will be valuable to those involved in extending education in the industrialised world who are pursuing modernisation goals for people long excluded from the formal education system.

Today's digital production tools empower the small team to produce multimedia projects that formerly required large teams. Orchestrating a production requires more than proficiency with the postproduction tools. Final Cut Pro Workflows: The Independent Studio Handbook offers a cookbook of postproduction workflows that teams can follow to deliver an array of products to their clients. It describes appropriate postproduction workflows, team roles and responsibilities, and required equipment for some of the most common media productions.Combining the wisdom of traditional roles and responsibilities with an understanding of how FCP facilitates a new flexibility where these roles/responsibilities can be redistributed, this book sheds light on workflow processes and responsibilities, and includes 7 real-world workflows from a diverse range of projects: Money-Saving Digital Video Archive Long-Form Documentary with Mixed Sources Web-Based Viewing and Ordering System 30-Second Spot for Broadcast Multi-Part TV Series with Multiple Editors DVD Educational Supplement Music Video with Multi-Cam Editing and Multiple OutputsWritten with a unique iconography to better convey key points and applicable to all levels of FCP users, Final Cut Pro Workflows: The Independent Studio Handbook is a vital reference tool for every postproduction house. The DVD files are also available at http://www.taylorandfrancis.com/cw/osder-9780240810058/.

'This book is a character study for the future of British Archaeology as it seeks to define its role for the coming millennium.' - New Scientist

'Managing archaeology will undoubtedly emerge as a milestone in archaeological literature and will prove particularly valuable for those already on the professional career ladder.' - Antiquity

'It presents a broad view of the inner mechanisms of contemporary British Archaeology and its preoccupations and will be of interest to those working within the profession as well as providing useful insights for those less formally involved.' - Archaeological Journal

'This book is essential reading for all those involved in the practice of archaeology.' - International Journal of Heritage Studies

'Anyone interested in the process of archaeology will find something to interest them in this multi-authored volume ... This is an important volume because it raises many of the issues which archaeologists think about but do not necessarily talk about.' - Tim Schadla-Hall, The Archaeologist

'What emerges from this volume is a clear understanding that archaeology is now both a discipline, a scholarly academic undertaking, and a profession, a service provided to others for a consideration, not always monetary in nature.' - Historical Archaeology

There has been a profound shift in the direction of archaeological activity in the last 15 years. While excavation remains a professional priority, the interpretation of archaeological evidence is now attracting increasing critical study. In part, this stems from the public demand for explanation of archaeological evidence, which moves beyond the more restricted academic debate among archaeologists. But it also follows from a desire among archaeologists to come to terms with their own subjective approaches to the material they study, and a recognition of how past researchers have also imposed their own value systems on the evidence which they presented. This volume provides a forum for debate between varied approaches to the past. The authors, drawn from Europe, North America, Aisa and Australasia, represent many different strands of archaeology. It addresses the philosophical issues involved in interpretation, and the origins of meaning in the evolution and emergence of "mind" in early hominids. It covers the ways in which material culture is understood, and presented in museums, and how the nature of history is itself in flux.

Amply illustrated with pen & ink drawings, and including a glossary of key terms, this volume, originally published in 1955, traces the history of firearms and the pioneers who made that history, step by step, to the fringe of a complex modern science.

How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond. The essays also attend to the views of historically significant writers from the ancient classical period to the eighteenth century, including Plato, Aristotle, Plotinus, St Augustine, Ibn Sina (Avicenna), Ibn al-Haytham (Alhazen), Ibn Sahl, Marsilio Ficino, Nicholas of Cusa, Leon Battista Alberti, Gian Paolo Lomazzo, Gregorio Comanini, John Davies, Rene Descartes, Samuel van Hoogstraten, and George Berkeley. Contributors carefully scrutinize and illustrate the effect of changing and evolving ideas of intellectual and physical vision on artistic practice in Florence, Rome, Venice, England, Austria, and the Netherlands. The artists whose work and practices are discussed include Fra Angelico, Donatello, Leonardo da Vinci, Filippino Lippi, Giovanni Bellini, Raphael, Parmigianino, Titian, Bronzino, Johannes Gumpp and Rembrandt van Rijn. Taken together, the essays provide the reader with a fresh perspective on the intellectual confluence between art, science, philosophy, and literature across Renaissance Europe.

Amply illustrated with pen & ink drawings, and including a glossary of key terms, this volume, originally published in 1955, traces the history of firearms and the pioneers who made that history, step by step, to the fringe of a complex modern science.

Former cruiserweight champion of the world, Orlando Leone, Jr., must come out of retirement to redeem an impossible situation. In his night job as head of security, Orlando must subdue the current champion at a party. Cameras flash, and within minutes, Orlando's life is changed forever. Leone is dragged into the fight of his life.

The champ wants revenge, his manager wants to reap the financial reward, and Leone must come out of retirement, against his will. "The Champion" will let you witness one of the most brutal fistic battles the ring has ever seen. A clash against love and greed, light and darkness, hope and fear, you can be the judge...

Effective management is becoming increasingly important in all aspects of archaeology. Archaeologists must manage the artefacts thay deal with, their funding, ancient sites, as well as the practice of archaeology itself. Managing Archaeology is a collecton of outstanding papers from experts involved in these many areas. The contributors focus on the principles and practice of management in the 1990s, covering such crucial aeas as the management of contract and field archaeology, heritage management, marketing, law and information technology. The resulting volume is important and informative reading for archaeologists and heritage managers, as well as planners, policy makers and environmental consultants.

How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond. The essays also attend to the views of historically significant writers from the ancient classical period to the eighteenth century, including Plato, Aristotle, Plotinus, St Augustine, Ibn Sina (Avicenna), Ibn al-Haytham (Alhazen), Ibn Sahl, Marsilio Ficino, Nicholas of Cusa, Leon Battista Alberti, Gian Paolo Lomazzo, Gregorio Comanini, John Davies, Rene Descartes, Samuel van Hoogstraten, and George Berkeley. Contributors carefully scrutinize and illustrate the effect of changing and evolving ideas of intellectual and physical vision on artistic practice in Florence, Rome, Venice, England, Austria, and the Netherlands. The artists whose work and practices are discussed include Fra Angelico, Donatello, Leonardo da Vinci, Filippino Lippi, Giovanni Bellini, Raphael, Parmigianino, Titian, Bronzino, Johannes Gumpp and Rembrandt van Rijn. Taken together, the essays provide the reader with a fresh perspective on the intellectual confluence between art, science, philosophy, and literature across Renaissance Europe.

Join Ronda Carman as she cooks from her pantry and readily available items in the refrigerator. A bountiful cupboard provides everything you need to prepare the batter for coconut pancakes, a bowl of chickpea soup with pesto, or a batch of pignoli cookies. Organized alphabetically, from almonds to za atar, these ingredients are the foundation for creating meals that reflect today s palette. Each section covers a single staple that can be used for numerous recipes. From dried fruits and grains for an instant breakfast to beans and pastas for a main course and polenta for a tasty lemon cake, every meal throughout the day is covered. With over 100 easy-to-follow recipes and stunning photography showing creative ways to present dishes, this prac-tical cookbook features original takes on Caramelized Onion Anchovy Butter, Lemon Orzo with Tuna and Artichoke Hearts, and Pasta with Sardines, Breadcrumbs, and Capers. Each seasonal dish is infused with nuanced flavours. The Art of Pantry Cooking is a must-have for those passionate about cooking.

Volume 1 of Visual Century: South African Art in Context 1907-1948 is part of a four-volume publication that reappraises South African visual art of the twentieth century from a postapartheid perspective. Volume 1 begins after the South African War when efforts were made to unify the white `races'. It ends with the coming to power of the Afrikaner nationalists. The period encompasses two world wars, the incremental dispossession of the rights of black South Africans, and the rise of organised black South African resistance to white rule. Jillian Carman, the editor of this volume, notes that art is not created in a vacuum. In her introductory essay titled `Other Ways of Seeing' she notes that this volume sets the overall approach: "an interpretation of the history of twentieth century visual art in South Africa against the backdrop of momentous social and political events". This volume provides critical perspectives on the ideological and institutional frameworks for white and black artists of the period, and the art they produced. Discussions of public art and architecture, traditionalist African art, and Western-style painting and sculpture are complemented with consideration of the roles played by museums, training, art societies and exhibitions, art historical writing, and patronage. Fresh perspectives on the art of the fi rst half of the twentieth century highlight complexities that still resonate today.